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Meet Joe Black: Original Motion Picture Soundtrack

Meet Joe Black: Original Motion Picture Soundtrack Meet Joe Black, director Martin Brest’s remake of the ’30s semiclassic Death Takes a Holiday, took widespread critical potshots for its three-hour length and laconic pace. Ironically, composer Thomas Newman’s score is a compelling exercise in musical economy–spare, emotionally longing arrangements where the spaces resonate almost as much as the notes. The composer (youngest son of the great film scorer Alfred Newman and cousin to Randy Newman) shows the same deft handling of emotional nuance he displayed on The Shawshank Resemption, The Horse Whisperer, and Oscar and Lucinda (winner of Best Original Score at the 1998 Australian Film Awards), here underplaying the story’s romance and otherworldly aspects with a few piano notes and a masterful use of strings and winds. Yet another tribute to the Newman gene pool and an impressively mature work from one of Hollywood’s brightest young film composers. –Jerry McCulley
Customer Review: I’m a slob when it comes to music…
My mental stability has always been in question, especially by my grandma. However, after just minutes of absently listening to the tv in the next room, some internal radar picked up on the sensual sounds coming from the movie Meet Joe Black. I put down my bowling ball and slowly walked into the next room. I felt as if my world had changed. This music had slid under my skin and was traveling into my brain. I sat on the sofa next to my stuffed pink flamingo and tears slid down my cheeks. I listened and the sadness washed over me like an ocean. Yet I couldnt get enough. This music carries me away on adventures you wouldn’t believe. Its the music I say. The emotions that cloak me from hearing the music have NOTHING to do with the actors. I just breathe the music.

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Future games Customer Review: Kirwin saves the day again
Danny Kirwins 3 gems…
Woman Of 1000 Years - Sands Of Time - Sometimes are real treats and save this otherwise mediocre album with newcomer Bob Welch who wrote the haunting title track, McVie’s Show me a Smile is also a highlight.

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